Ruth Mordecai: Works on Paper at Trident Gallery
2016-08-11 14:00 - 2016-09-05 21:00 UTC | 189 Main St, Gloucester, MA 01930 downtown Gloucester on Main Street at the corner of Duncan Street (which becomes Pleasant Street as it crosses Main)
Trident Gallery is pleased to present Works on Paper, an exhibition of recent paintings by Ruth Mordecai which extend her vocabulary of abstracted human figures and symbols of human culture. Works on Paper is Mordecai's second solo exhibition at Trident Gallery and will be on view August 6 – September 5. Gallery hours are Saturday 10–7; Friday, Sunday, and Monday 10–5; Tuesday, Wednesday, and Thursday 12–5, and by appointment. The gallery will host a public reception for the artist on Saturday, August 13, 5–7pm, and the gallery will host a conversation with the artist about her work and her artistic process on Sunday, August 21, 4pm.
At the center of the exhibition are the pair of paintings Homage to Matisse and Homage #2, inspired by Matisse's series of four large relief sculptures of a woman's back, Back I–IV, created from 1909 to 1930, each one constructed by modifying a cast of the previous sculpture, the style progressing from the naturalism of Back I to the nearly abstract Back IV. Mordecai's Homage to Matisse echoes and develops Back IV, and Mordecai's Homage #2 develops the forms of Homage to Matisse even further toward abstraction.
For four decades in sculpture, drawing, paintings, and collage, Mordecai has explored the human figure and its abstractions. In parallel, she has developed a vocabulary of motifs which refer to objects of shared community and culture, such as ladders, orchard fruit, celestial bodies, arches, and baskets. Homage to Matisse and Homage #2 include both human figures and cultural objects and model an impulse of development from representation to abstraction which is refracted and echoed in the 23 smaller paintings in the exhibition. Mordecai's recent work aims to be ever more inclusive: each painting becomes a kind of container into which icons of what is beautiful and valuable in the world are harmoniously collected and memorialized in expressive, sculpturally collaged forms full of movement and three-dimensional texture. Their dyn
